Week 25 - Weekly Art Challenge - Old Paintings

I'm going to post a couple of paintings that I did some time ago for this week's challenge. Babysitting grandchildren keeps me busy and leaves me exhausted, so I do not have as much time for creating as I would like to. Also, since I'm behind due to life and computer problems, this is an easy way for me to work on catching up with where I am supposed to be (I believe on Week 27 - so I'm getting there!) Thank you for your patience!!

Grandchildren - 14" x 20" colored pencil on hot press illustration board. I drew this for my mother-in-law of all her grandchildren. The seven older children had spontaneously posed themselves for a photo that I used for the drawing. I added the 2nd youngest working from a photo of her standing against her grandfather. Before I had the painting completed, the youngest grandchild was born. I rearranged the arms and had one of the girls hold the baby. It was fun to have everyone ask me how I managed to get all nine grandchildren posed at the same time!

Grandparents - 11"x14" unframed colored pencil drawing on hot-press illustration board. I worked from a photo of my grandparents taken when my grandfather turned 90 years old. Unfortunately, my grandmother passed away the following month. I painted this for my grandfather as a surprise. I had never seen him cry, until he unwrapped this painting. I am so glad that I made this for him. 

Carrie, 11"x 14" unframed hot press illustration board, double-matted and framed (14" x 20"). This is a black and white colored pencil commission that I did for my husband's cousin. He surprised his wife for her birthday with it.

I enjoy working with colored pencils. They blend nicely and can be layered many times. They are transparent, so layering adds a richness that is hard to achieve with paints. I love the challenge portraits bring. However, I would like to improve drawing portraits without working from photos. 

Keep creating!

Lynnita

Week 24 - Weekly Art Challenge - Faces

This week I continued working with Jane Davenport's Drawing and Painting Beautiful Faces,  This week the exercise worked with "latitude and longitude". Davenport treated her simple faces (or Draw Happy faces) as globes with latitude and longitude lines. Using these as guidelines makes it easier to draw faces that are tilted, rather than looking straight on. These are my results, with the "globe" I used as a guideline in the lower right-hand corner.

3/4 view - 4"x 4", Pencil on mixed-media paper.

Tilted up, 3/4 view - 4" x 4" - Pencil on mixed-media paper

Tilted down-3/4 view - 4" x 4" - Pencil on mixed-media paper.

Tilted up - 4" x 4" - Pencil on mixed-media paper.

These has been an eye-opening experience for me. I had never thought of thinking of the faces as a globe and using latitude and longitude lines to determine the placement of the facial features. Even though these are fairly rough sketches, I learned much creating these. The next section of the book starts working on the details of facial features. It's exciting to think I can start getting a fairly realistic looking face without working directly from a photograph.

Keep creating!!

Lynnita

Week 20 - Weekly Art Challenge - Faces

For this Weekly Art Challenge, I worked on the next exercise in  Jane Davenport's Drawing and Painting Beautiful Faces. (See previous posts here). Jane described drawing and shading spheres; then explained how the face can be represented by spheres to help create dimension with shading. Working with the "Draw Happy" faces, she added spheres for the cheeks, nose, chin and lips.  These are the two faces I did in this style. 

"Baby face" - 4" x 4" - charcoal and 0.005 black Sakura micron pen on mixed-media paper.

In this sketch, I started with the guidelines and eyes. I added spheres for the nose, lips, chin, and cheeks. After adding the shading, I saw a baby's face, so added just a few tufts of hair.

"Young girl" - 4" x 4", charcoal and 0.005 black Sakura micron pen on mixed-media paper.

Again, I started with the guidelines and eyes, adding spheres for the various facial features. This young girl still needs work, but I think I got the concept Jane was illustrating with using spheres to help add dimension to a face.

I'm enjoying Jane's book and learning more about how to draw faces. However, for me, it's tough to get a good face without a photograph.


Keep creating!
Lynnita

Blue Twig Studio - April Product Review and Projects

This month, I received a package of Twinkling H2Os by Luminarte for review for Blue Twig Studio.  I had heard a lot of great comments about these from friends the last few months and had been wanting to try them, but couldn't justify buying yet another type of paint. Therefore, I was very excited when I received these for my April product review!!

Product:
Twinkling H2Os are highly pigmented, light fast, lusciously luminescent mica-infused watercolors. The H2Os are non-toxic and archival safe. The amount of water used determines if the color is opaque, translucent or transparent. This set contained 12 jars of H2Os, along with a free spritz bottle. The colors in my set included: poppy, rose gold, persimmon, mango mamba, mustard green, autumn butternut, black cherry, plum crazy, blue zircon, sweet alfalfa, cedar wood, and pearl red.
     (Note: my spritz bottle arrived with a crack starting at the spritzer and running a third of the way around the spritz head. Needless to say, it didn't work very well as a spritzer, but was still able to use it as clean water. I could spritz, if I didn't mind water spraying )

Twinkling H2Os by Luminarte

Open jars of Twinkling H2Os. Colors listed on cap to right of paint jar.

Color chart for Twinkling H2Os. 

The watercolor comes as a solid hard-pan cake. When you open the desired jars, the colors can be "woke up" by spraying the surface of the paint cakes. Directions state: after allowing the water to soak in for 3-5 minutes, mist the jars a second time and wait a couple more minutes. The paint begins to soften and it easily mixes into a creamy texture when dipping a paintbrush in it. I actually had to wait about 10 minutes and I used a toothpick to mix the paint. The Twinkling H2Os can be used for painting freehand, creating color washes, to color inside the lines of a drawing or rubber stamped image, or to apply to a rubber stamp before stamping with it.


Projects:

Pico Embellisher in 
irRESISTible Neon colors.

For my project, I was initially going to paint an 8"x10" canvas. I painted an abstract background and then planned to use a large 8 1/2" x 11" Crazy Lace stamp by Kari McKnight-Holbrook (see Blue Twig Studio large stamps) with black acrylic paint to create an overall design on the abstract background. Unfortunately, my black paint didn't stay wet enough by the time I got the whole stamp coated and did not print well on my canvas. Therefore, I scrapped this project. I'll try to salvage it for some other project in the future.

In interest of time, I chose to create several tags that can be used as gift tags, bookmarks, labels, luggage tags, and so on. My daughter joined me and made tags, as well. Following are the results. Besides brushes, a palette knife, and a freezer paper palette, I used Derwent watercolor pencils, black Sakura micron pens, and Pico Embellishers to accent the tags.

Lydia Tag, 2 3/4" x 5 1/5", Twinkling H2Os and Pico Embellisher on watercolor paper.
I started with the plum crazy color to create a "sea" background. Then pulled the paint to the 'sky' area with more water to make it lighter. Using mango mamba, I created sun rays peeking through a stormy sky, and added pearl red to the 'sea' to create more depth and waves.  I had planned to stamp dolphins in the 'sea'. However, the sea and sky didn't come out as they appeared in my head.After lifting some of the paint by adding more water, I used blue zircon to paint Lydia and outlined it with the mustard green (which appears more like an antique gold). I highlighted Lydia with a pink neon Pico Embellisher and edged the tag with pearl red. A couple hearts with a neon green Pico Embellisher in the corners, along with blue and multicolored yarn for hanging completed the tag. I am pleased with the results, as I thought this tag was a lost cause! (Painted by my daughter.)

Peacock Feather Tag, 2 3/4" x 5 1/5", Twinkling H2Os on watercolor paper. 
Still wanting to make a sea with dolphins, I used the blue zircon for my 'sea' and painted the bottom half of the tag. I added sweet alfalfa for depth and waves.  Now to create a sunset. I decided to practice the sunset on a different card (see dolphin card below). Since my sunset came out so nice, I just used that card instead of this one. Now what do I do with this card?  The paint was dry, however, I found by adding water to the card, I was able to pull the blue zircon paint up to the top of the card, creating a blueish background with sweet alfalfa highlights. The color made me think of a peacock feather, since the blue zircon appears more teal than blue. Using shades of mango mamba, rose gold, persimmon, sweet alfalfa, and plum crazy, I stenciled a peacock feather onto the background. A small brush helped get into the narrow openings in this stencil without any bleeding under the stencil. (Painted by my daughter.)

Dolphin Tag, 2 3/4" x 5 1/5". Twinkling H2Os on watercolor paper. Using mango mamba, rose gold, and black cherry, I freehand painted a sunset.  I used freezer paper as a palette for mixing the paints for the sunset. I was pleasantly surprised when I found I could reactive the paint on the freezer paper up to 30 minutes after it had dried. I did not test how long the paint could sit and still be reactivated. I added the blue zircon for the sea, with highlights of sweet alfalfa. Painting plum crazy on a dolphin stamp, I was able to stamp two dolphins leaping out of the sea. This is my daughter's favorite tag. (Painted by my daughter.) 

Music Tag, 2 3/4" x 5 1/5", Twinkling H2Os and black Sakura micron pen on watercolor paper.  
I created an abstract background by brushing swirls of colors onto the tag. I used plum crazy, blue zircon, sweet alfalfa, and persimmon paints.Some of the paints I left opaque and others I thinned with water for more transparency (can't see this well in photo).  I sprinkled salt on the wet paint. However, once dry, the salt didn't come off easily, so some was left in place. The salt created some texture in the plum crazy and persimmon colors, but not as much as I had hoped for.  I used a 0.02 black Sakura micron pen to draw in music staffs and notes, as well as a saying by Oliver Wendell Holmes, "Most of us go to the grave with our music still inside us.". I found this in the book Creative is a Verb by Patti Digh, which I am reading for book club for April, May and June (see my review for chapters 1-3 here). This saying really struck a chord with me, so I had to put it on a tag. (Painted by Lynnita.)

Blooming Tag, 2 3/4" x 5 1/5", Twinkling H2Os and Pico Embellisher on watercolor paper. 
I wanted to see how well the Twinkling H2Os did with a stencil, so I painted persimmon, rose gold, black cherry and mango mamba through a pod stencil.  Unlike the peacock feather where I used a small brush to apply paint, I used a stencil brush this time. In the smallest pod at the bottom, the mango mamba mixed with rose gold paint was too thin and bled under the stencil. I used a blue Pico Embellisher to add the saying, "Life is an empty square unless one fills it up with matter!" by Robin Antar. This was another saying in the book, Creative is a Verb. (Painted by Lynnita.)

Pondering Tag, 2 3/4" x 5 1/5", Twinkling H2Os, Sakura micron pen, and Derwent watercolor pencils on watercolor paper. I freehand painted the face first with pearl red, using blue zircon for the eyes and poppy for the lips. Her hair is cedar wood with autumn butternut highlights, while her top is rose gold with salt for texture. Using a flexible rubber stamp, I painted sweet alfalfa and blue zircon to create a background. The sweet alfalfa worked fairly well, but the blue zircon just bled everywhere. Once it was dry, I stamped over the blue zircon area with another stamp using the sweet alfalfa paint. I used Derwent watercolor pencils to add shading to the face and a 0.005 black Sakura micron pen to add the details. (Painted by Lynnita.)

Luggage Tag, 2 3/4" x 5 1/5", Twinkling H2Os on fabric. Using pieces of Tim Holtz's Electric Elements fabrics leftover from the Nov 2014 Fabric club kit reviewed  Dec 1, 2014,I cut small pieces of the fabric and enhanced the print with the Twinkling H2O paints in several of the colors. Once the paint dried, I heat set it.  I stitched a collage of the fabric for the front of the luggage tag. I finished the edge with a piece of fuzzy, multicolor, eyelash yarn. The hand of the fabric stayed soft for the luggage tag front. (Painted by Lynnita.)

Luggage Tag back. I scribbled with several colors of the Twinkling H2Os on the back of the luggage tag just to test the hand of the fabric. I used a substantial amount of the mango mamba in the center, but smaller amounts of several other colors. Once it was dry, I heat set the paint. Where I used the larger amount of the mango mamba, the fabric was stiff, but in the other areas, the fabric still has a soft hand. The twinkling H2Os work well on fabric, but use a small amount to keep a soft hand. I didn't realize I was out of the clear vinyl to create a pocket on the back of the luggage tag for the address. So this will be added later. (Painted by Lynnita.)

Product Review:

I thoroughly enjoyed working with the paints - they are bright, luminescent and easy to use. I was able to reactivate the paints that dried on the freezer paper palette even after 30 minutes. This was awesome to find out! This ability to reactivate allowed my daughter to fix mistakes in a couple of her tags that she thought were lost causes. This also allows mixing the paints to create new colors, knowing that I won't waste paint from it drying out too fast.

The paints work well with both stencils and stamps, although you want to use stamps that are deeply etched, have thick, wide lines, bold graphics, and/or large surface areas. Avoid stamps with shallow tiny detail lines. These do not work very well. When using stencils, be sure the paints are not extremely wet, so they do not bleed under the stencil. Also a small brush can be used to paint in small stencil openings.

I have one negative comment. It was stated that the paint needs to be dry before closing the jars. Even in the 'dry' Arizona heat, the paints were still wet after 2 1/2 hours. I closed them, anyway, as I was ready to sleep by 1:00 am. When I checked them the next day, all the paints were still wet, paint had gotten on the lids making it difficult to open a couple of them, and two of them had actually leaked. So I left them open again.It still took another 2-3 hours before they were fully dry and I could close them. This will create a challenge for me to use them, as I do not have a dedicated work space at the moment and cannot leave opened jars of paint out where grandchildren could get a hold of them.


I hope you enjoyed this review and will consider using these wonderful, sparkling watercolors! They are worth buying, even if you have many other paints!

Keep creating!
Lynnita

Week 15 - Weekly Art Challenge - Faces

This week for the Weekly Art Challenge, I've been working from Jane Davenport's Drawing and Painting Beautiful Faces. I enjoy creating portraits and want to be able to create faces better and use them in mixed-media artwork and also to create portrait paintings. I've done a few faces in past blogs posts (see posts here).

This week I did the exercises for "the Hot Zones" and "Jane-style whimsical proportions."  In the hot zones, Jane explains the distance between eyes, the stack of the nose, mouth and chin, how the lips line up with the eyebrows,  how the ears line with our facial features, and finally, the curve of the cheeks. In whimsical proportions, Jane shows how the proportions can be played with for drama and to look for what we find interesting and aesthetically pleasing.

These are the "whimsical  proportions" I focused on this week, while using the "hot zones" to keep the drawings balanced and proportionally pleasing.

Realistic Proportions, 3"x3", pencil and pen on mixed-media paper

Jane-style Proportions, 3"x3", pencil and pen on mixed-media paper

Fey, Tilted Eyes,, 3"x3", pencil and pen on mixed-media paper

Pixie, Large Wide-Set Eyes, 3"x3", pencil and pen on mixed-media paper

Feline, Large Eyes, Bunched Features, 3"x3", pencil and pen on mixed-media paper

Hollywood, Large Lips, Small Noses, 3"x3", pencil and pen on mixed-media paper

I think I still need some work on the faces, but playing with the proportions and placement of the features is a learning experience. It was interesting to see how varying these elements affects the way the face looks. It also helps me to know that I do not have to have realistic proportions all the time when working with portraits - they just need to be balanced and pleasing. Thanks, Jane!


Keep creating!
Lynnita

March ATC Challenge - Fairy Tales

It's been a couple hectic weeks. I'm running behind in posting again! Someday, I'm going to figure out how to help my daughter and son-in-law with their special needs daughter, taking her to several doctor's appointments, babysitting my other grandchildren, posting photos of all the grandchildren for our Ohio family on facebook, continue creating artwork and quilts, while finding time to post on my blog!! I'm not sure how young mothers do it all!!  I was doing fine until our special granddaughter was born prematurely. Since then, I've been struggling to post at all, let alone in a timely manner! Lol!!

Today, my goal is to get a few posts completed that I should have posted in the last couple of weeks. First is Blue Twig Studio's ATC Challenge for March, which was Fairy Tales.  I have loved fairy tales since I was a child. Two of my favorite books as a child were Grimm's Fairy Tales and a book of tall tales and fables that my parents gave me for Christmas when I was 8 years old. I still treasure those books. I've been a science fiction and fantasy reader ever since!

The first card I created was "Elfin Maiden". I used Dylusions Ink Spray through a flower stencil on watercolor paper. After it dried, I blocked in a face with white paint. I used Derwent watercolor pencils to create the face and outlined details with a 0.1 black Sakura Micron Pen. The face was created with inspiration from Jane Davenport's book: Drawing and Painting Beautiful Faces.

Elfin Maiden, 2 1/2" x 3 1/2", watercolor and inks on 140lb watercolor paper 

I love dragons and collect dragon figurines. The past year (if you've followed my blog), I worked through the exercises from a book on drawing dragons by J. "Neon Dragon" Peffer. This ATC card, The Reading Dragon, was inspired from one of her books. I painted the background with acrylics. After sketching in the dragon, I painted him with Derwent watercolor pencils and acrylics. I outlined with a 0.2 black Sakura micron pen.

The Reading Dragon, 3 1/2" x 2 1/2", acrylics and watercolor on Bristol paper.

The final card is a prancing unicorn. My daughter told me I needed to make a unicorn, when I had been thinking about Red Riding Hood. The unicorn won out! With help from a book on fantasy creatures by J. "Neon Dragon" Peffer, Dragonart: How to Draw Fantastic Dragons and Fantasy Creatures, I created this proud unicorn.  I sketched in the unicorn and painted him with acrylics and Derwent watercolor pencils. I outlined him with a 0.2 black Sakura micron pen. I used watercolors to fill in the background.

Prancing Unicorn, 2 1/2" x 3 1/2", watercolor and Sakura pen on Bristol paper.

I enjoyed this month's ATC challenge! I hope you join the group next month! You only need to make one ATC card. They are only 2 1/2" x 3 1/2" in size, so it doesn't take a huge commitment to create this size artwork. It's fun, challenging, a great time to experiment. And you might win!!

Whatever you decide, have fun with your artwork and experiment!


Keep creating!
Lynnita

Week 7 - Weekly Art Challenge - Faces

Trying to catch up on my weekly art challenge posts. Our grandbaby is home from the hospital, my hand is healing from my hand surgery (my dominate hand, of course!), so I'm trying to get settled into creating again! Although, in the 4 days our grandbaby has been home, we've babysat two days and the other two days, I had to take her or her mother to routine check-ups! I'm not complaining about the babysitting - she is such a joy! She's so quiet, I can almost forget she's here! I'm hoping as our daughter and her boyfriend adjust to being new parents, things will settle down some. However, they may be moving in with us in a month, if they cannot find another apartment! LOL! life is always changing!

This week, I still haven't gotten back to my painting. I did do another drawing from Jane Davenport's book: Drawing and Painting Beautiful Faces. I had started the first couple of exercises before all the excitement with a new baby (see posts here).  The next exercise is called "Grand Scale". Instead of the small, simple "Draw Happy" faces, this exercise scaled the drawing to a full page. She goes into more detail of placement of facial features and shape of the face. This is my result:

Face, 7" x 10", pencil and 0.005 black Sakura pen on mixed-media paper.

I like the facial features, although the eyes are too large and too close together. The hair and neck need some work, but those weren't the focus of this exercise. I do pretty well doing portraits from a photograph (I've actually done commissions in oils, acrylics, and colored pencil),  but to draw a portrait without a photo to look at is such a challenge for me. I'm hoping Jane's book (and I also bought her video recently) will help me to overcome these difficulties.

I hope for Week 8 to be able to finally start painting in my art journal for the Documented Life Project 2015 (DLP) with Art to the 5th Academy, that I originally set out to do for my weekly art challenge this year! I'll see what this week holds!


Keep creating!
Lynnita

Week 6 - Weekly Art Challenge - Blended Photos

I'm late posting my Week 6 art challenge. I'm hoping life will return to a normal routine soon. We finally got to bring our granddaughter home from the hospital on Wed, after spending her first 2 1/2 weeks of life in the neonatal ICU at the hospital. She was a preemie - born a month early. She's doing well now and steals the hearts of everyone who has seen her. The nurses and doctors were wonderful! We are working on a signature quilt for her - the medical staff were so happy to sign a block for her. Waiting on a few more people to finish their blocks, but I'll post a photo of the quilt when it's finished.

With spending so much time at the hospital, I didn't get to do any painting, so worked on blended photos on my tablet. I focused on blending photos of my grandchildren with nature scenes that I had taken. I'm still learning what all I can do with the photo-editing program, Pixlr.   

Photo of a foggy winter morning in Ohio highlighting a bare tree, blended with a closeup of our new granddaughter's face. A heart overlay was added. The face is difficult to see after the blending, but I like the overall effect.

An Arizona sunset with a starry night overlay blended with the same photo of our new granddaughter's face. A border of swirls was overlayed. This blended photo makes me think of her dreaming of  all the possibilities for her life - "the skies the limit"! 

Photo of a palmetto leave taken at a quilt retreat in CA last year blended with a photo of our 9-month old grandson. Added an overlay of  'xoxo' and a border of a key variation. He looks cute peeking through the individual leaves.

Some of my photos came out interesting and some not so good, but it's fun to try to blend very different photos, as well as similar photos. I like the various effects that can be created by blending photos. I still have much to learn, but it sparks my creativity. Eventually, I'd like to print some of the blended photos to use in mixed-media artwork and some to turn into quilts. I have more exploring to do before first!

Keep creating!

Lynnita

  

Face Sketching continued

I am continuing to work on faces using Jane Davenport's new book "Drawing and Painting Beautiful Faces" (see last week's post here) to improve my portraiture skills.

After drawing simple, little "Draw Happy" faces for the first exercise, Davenport moves to adding guidelines to help place features on the face with confidence. The eyes are about halfway between the hairline and the chin, while the bottom of the nose is about halfway between the eyes and the chin, with  the mouth about halfway between the nose and chin. The ears sit between the eyes and nose.  All sketches are approximately 3" x 3" and use a pencil, 0.005 black Sakura micron pen, and a white Uni-Ball Signo gel pen.

Simple face with guidelines showing placement
 of the eyes, nose, mouth, and ears. 

Davenport calls this Divide and Conquer! She says although there is a huge amount of variety in every face, the guides will work on any face shape and by sticking to these basic placements, the face will look balanced no matter what face shape is drawn. The exercise was to create a series of different shapes and draw simple faces onto them using these guidelines. (I did not completely erase all of my guidelines.) 

Circle base for the face.

Oval base for the face.

Square base for the face.

Rectangle base for the face.

Heart shape for the face.

These guidelines are a huge help with creating a face that looks realistic, although they are still simple faces. I only added a bit of shading to create depth. I added simple hairdo's - I wasn't concerned if they looked real - since I was mainly concerned with creating a symmetrical, somewhat, realistic face. The next few exercises start going into more details for creating a larger face - where getting facial features placed right will matter more.

I have a hard time creating a face that looks real from my imagination (that is not drawn by using a photo or looking at someone), but I'm already feeling more comfortable from just these first two simple exercises.  I think I'll soon be ready to add faces to mixed-media work and art journaling. 

Keep creating!

Lynnita

Week 2 of Weekly Art Challenge - Blended Photos

I am still waiting on my Dylusions Journal to start the Documented Life Project (DLP) by Art to the 5th Academy.  For 2015, DLP gives a prompt each week to create an art journal page. I've been wanting to do more mixed-media art journaling and thought this would be a fun way to meet that goal. Posting my results each week will also help keep me on track. However, I'm off to a late start, since my journal has been back-ordered. Thankfully, I've found another place to order it and hope to have it by the end of next week. (Thanks, Deb!)

In the meantime. I've been continuing to play with my photo-editing app, Pixlr Express, on my Android tablet. The first few photos are ones I took while in Ohio in December and played with the enhancements, effects, and overlay features of the app.

Foggy, cold morning. Picture taken from the driveway looking east.

The same foggy, cold morning. Taken from the front yard looking east. 

Looking out through the ice on the driver's window of the car at a tree beside the driveway.

The program was updated recently with a "blending photos" feature that I've been exploring. This feature allows 2 photographs to be blended with different effects - darken, multiply, color burn, lighten, screen, color dodge, add, overlay, soft light, hard light, and difference. I'm still learning what can be created with these effects. These are a few of the photos I've blended.

Combined the first foggy morning photo with the iced car window photo,
using the multiply blending effect 

Combined the 2nd foggy morning photo with the iced window photo, using the difference 

blending effect. More of the texture from the ice shows in this combination. This effect 

reminds me of an interference pattern.

I blended the iced window photo with one of the "Draw Happy" faces I posted
last week (see post here). This makes me think of a mixed-media painting. I like
the texture and color the iced window photo adds to the black and white sketch.  

Combined the tree from the 2nd foggy morning photo with a palmetto photo I took last
year in CA at a quilting retreat. I used the multiply blending effect.   

I combined the above blended photo of the palmetto and tree with another of the "Draw Happy" faces I posted last week (see post dated Jan 10, 2015).   I used the "add" blending effect. I really like the results of this combination. I can see printing this on fabric to use for an art journal cover or to create an art quilt. 

It's exciting to create new "photos" by blending them. I really like the results and can see printing some of the blended photos onto paper or fabric for mixed-media art, fiber artwork or quilts.  I'm just starting to explore the tip of the iceberg, as I haven't even begun to check out all of the "Overlay"and "Effect" features of the photo-editing software after blending two (or more) photos. The sky's the limit!!


Keep creating!
Lynnita

Face Sketching

I recently picked up a new book by Jane Davenport called "Drawing and Painting Beautiful Faces: A Mixed-Media Portrait Workshop."  I had to skim the entire book the day it arrived. She draws such beautiful, whimsical faces.

Drawing and Painting Beautiful Faces by Jane Davenport 

Drawing and Painting Beautiful Faces back

When I took my first art classes several years ago, my instructor talked my into trying portraits, kicking and screaming the whole way! But I found out that I really enjoy creating portraits. Since then, I have done portraits in oil and colored pencil, and for commissions. I did these working from photos. I find it harder to draw a face without something to look at and have been wanting to get better at drawing faces for some time now. So when I saw her book online, I just had to pre-order it and it arrived a couple days later!

I stayed up until the middle of the night dong several faces for her first exercise called "Drawing Happy". These are little, simple "Draw Happy" faces that she gives about 10 step-by-step instructions to complete. Following these instructions I made about a dozen "Draw Happy" faces, approximately 2" x 2" in pencil, 0.005 black Sakura micron pen, and white Uni-Ball Signo gel pen unless stated otherwise.

Face #1 

Face #2 - Also used 0.005 red and sepia Prismacolor pens.

Face #3

Face #4

Face #5

Face #6 - Also used 0.005 red Prismacolor pen

Face #7

Face *8

Face #9 

Face #10

Face #11

Face #12

As you can see, my faces improved the more I drew. I like the last 3 the best. I can see the point of Davenport's exercise - the more you draw, the better you become! With drawing small faces, I could draw several in a fairly short period of time. These aren't meant to be detailed, realistic faces - just small, simplistic representations.

I'm looking forward to continuing to do the exercises in Davenport's book. She goes into more details in drawing faces that look more realistic, yet whimsical and she uses a variety of media - including pencil, pens, colored pencils, pastels, acrylics, watercolors, inks, etc. to accomplish the various drawings. Fun, fun, fun!! I also want to use these in my art journaling.  I used one of Jane Davenport's face stencils in my December project as a design team member for Blue Twig Studio. I hope to be able to draw my own whimsical faces, in addition to using the stencils, for various mixed-media, quilting, or drawing projects in the future.


Keep creating!
Lynnita