After drawing simple, little "Draw Happy" faces for the first exercise, Davenport moves to adding guidelines to help place features on the face with confidence. The eyes are about halfway between the hairline and the chin, while the bottom of the nose is about halfway between the eyes and the chin, with the mouth about halfway between the nose and chin. The ears sit between the eyes and nose. All sketches are approximately 3" x 3" and use a pencil, 0.005 black Sakura micron pen, and a white Uni-Ball Signo gel pen.
|Simple face with guidelines showing placement|
of the eyes, nose, mouth, and ears.
Davenport calls this Divide and Conquer! She says although there is a huge amount of variety in every face, the guides will work on any face shape and by sticking to these basic placements, the face will look balanced no matter what face shape is drawn. The exercise was to create a series of different shapes and draw simple faces onto them using these guidelines. (I did not completely erase all of my guidelines.)
|Circle base for the face.|
|Oval base for the face.|
|Square base for the face.|
|Rectangle base for the face.|
|Heart shape for the face.|
These guidelines are a huge help with creating a face that looks realistic, although they are still simple faces. I only added a bit of shading to create depth. I added simple hairdo's - I wasn't concerned if they looked real - since I was mainly concerned with creating a symmetrical, somewhat, realistic face. The next few exercises start going into more details for creating a larger face - where getting facial features placed right will matter more.
I have a hard time creating a face that looks real from my imagination (that is not drawn by using a photo or looking at someone), but I'm already feeling more comfortable from just these first two simple exercises. I think I'll soon be ready to add faces to mixed-media work and art journaling.